Why
did I create this website? I guess it's because I feel that I've had
the good fortune to have played with so many outstanding musicians
over the years and I realized that I had quite a few reasonably well-recorded
sessions that deserve wider public dissemination. While I made this
website primarily for my musician friends to once again enjoy the
fruits of their labor, I also feel that a larger musically
appreciative audience exists. The recordings span the past 40 years,
from the award-winning college big band I played in, to some of the
more recent things I have done. Unfortunately, I couldn't include
every band I've been a member of both for space reasons and because
either no recordings or only poor recordings exist for many of these
groups. The music is presented chronologically from most recent to
earliest with the exception of the first "Collage
ΰ
Trois" CD, which is, in itself an earliest to most recent
compilation of music. All the best, - Les Bloom
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An Original Tune: "Come Back To Me"
April, 2020 |
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This song grew out of this anxious period in our history. My thoughts are with the patients, their families and frontline workers who are sacrificing so much. On this tune, I used a MIDI keyboard, an alto saxophone, a microphone and Garageband software on a MacBook Pro laptop computer. Click the image at the left to view the YouTube video of the Garageband digital audio workstation screen. If you turn on Youtube captions, you can see the lyrics autogenerated by YouTube.. Personnel: Just me (vocals, keyboards, alto sax, Garageband, mixdown)
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Huron Valley Council for the Arts Jazz Workshop:
March 10, 2020 |
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This is a regular weekly jazz workshop in Highland, Michigan at the Huron Valley Council for the Arts. This recording of "Joy Spring" (Clifford Brown, composer) was made with my handheld digital Tascam DR-40 stereo recorder placed in the middle of the band using its dual, built-in microphones. The musicians are:
Les Bloom - tenor saxophone
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Walrus - Two newly released albums on a major record label
Walrus - "Greater Heights" and "Indian Summer"Album releases - December, 2019 |
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If you'd like to listen to a little bit of the music, here are two Amazon links that allow you to sample the tunes before you purchase. You can also find the albums on Spotify, YouTube and iTunes. |
Something really interesting happened recently. Back in 1973, when I first moved to Ann Arbor, I hooked up with a really talented bunch of musicians and got to join their band. The band, named Walrus, went into the recording studio and we spent about 100 hours over the period of about a month recording an album of tunes, slightly less than an hour's worth of music. It was a fantastic experience and I've remained friends with many of the musicians and have been in other bands with some of them. However, shortly after our recording session, two of the band members moved out of town and the band broke up. Prior to that time, however, the band had a significant following. The album tape, unfortunately, languished on a shelf and never saw the light of day --- until December 20, 2019. 45 years later!!! It turns out the album was recently picked up by a rather major record label and released on iTunes, Amazon, Spotify and YouTube. They heard something they liked. The record label, Fervor Records, licenses its library to major Hollywood television and movie projects. Many of the tunes from their library are heard on HBO movies and various TV shows. Here's an article detailing the complete story. Unfortunately, it doesn't mention my name, but I was an integral member at the time of the recording until the band broke up and my flute, clarinet and sax are heard throughout the albums. The link to the story is here: After 45 years, dreams do come true
Walrus Summer, 1973, recorded at Morgan Sound Studio, Ann Arbor, MI. Glen Quackenbush recording engineer Personnel: Les Bloom alto sax, clarinet, flute; Jim Bowers keyboards, tenor sax; Bill Etten vocals; Don Kuhli drums; Mike McKelvy guitar; Randy Tessier bass, vocals
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Some on-going work with our jazz quartet:
"Live" at biweekly jam sessions:Oct - Nov, 2016 |
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Over the past several months, a new jazz quartet has been rehearsing every other week. Well, not really rehearsing - more like jamming. A tune is called by someone and, whether we know it or not, we read down the melody and improvise over the chord changes. Our goal has been workshop-oriented as opposed to trying to find an appropriate venue at which to play. The following recordings were made with my handheld digital Tascam DR-40 stereo recorder using its dual, built-in microphones. As a result, the sound quality varies somewhat due to varying distances from the musicians. In addition, since these were jams and not public performances, there are some missed notes and mistakes. However, there is also, hopefully, some respectable musicianship on display. The musicians are:
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Newly Found Recordings (added 11/13/2012): "Les Bloom - Bruce Dondero Sextet"
Various Venues"Sue's Changes" - WEMU Jazz Competition 1982:
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Television Recordings |
The following three videos were recorded at the television studios of WIHT, Ann Arbor during a live performance in 1983. Producer/Mixer- Zita Gillis, Director- David Dowdy, Tech. Director- Marty Timmel, Lighting/Camera- Cal Hazelbaker, Camera- Scott Mann, Jim Kruz, Peggy Watson.
Personnel:
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Studio Recordings |
I recently discovered some old tapes I had forgotten about, and uncovered some rather inspired recordings of the "Les Bloom - Bruce Dondero Sextet" from around 1983, however they sound as fresh now as they did back then. For now, I'm putting this section at the beginning of the website instead of in its chronological place so it won't get lost and buried. Also, while not newly found, I'm starting out this section with 3 tunes that were already on this website (below) to group them with the rest of the band's tunes and also to bring them to the forefront. 1. Chant [5:17] (Kalle Nemvalts) written by Kalle Nemvalts, the groups former trumpet player. Piano solo by Andy Adamson. 2. He Is Risen [9:13] (John Hetherington) a compositional masterpiece written and arranged by the group's trombonist John Hetherington. This is one of the most difficult tunes a band could ever attempt to play, filled with tempo and mood changes, tightly arranged ensemble sections mixed with group free jazz improvisations, yet the group performs it flawlessly. Solos by everyone. 3. This Ones For Clayton [6:08] (Bruce Dondero) Max Morden and John Hetherington display almost telepathic interplay between muted trumpet and trombone in this tune written and arranged by bassist Bruce Dondero. Les Bloom Bruce Dondero Sextet March 13, 1983, recorded at Les Blooms home studio. Les Bloom recording engineer Personnel:
The first image above is a photo of an earlier (1982) band incarnation. (Clockwise from the left):
Les Bloom tenor and alto saxophones; Bruce Dondero acoustic bass; Harvey Reed - piano; John Hetherington trombone; Kalle Nemvalts trumpet; Karl Dieterich drums
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Studio Recordings |
These 2 tunes are originals that I wrote and arranged. They were recorded at the same recording session as above with the same personnel. 4. Fallen Angels [2:21] (Les Bloom) I've just included the opening "head" featuring the horn section backup and me playing the lead on soprano sax. For an earlier live version of the tune by a different group of musicians, click here. 5. Return to a Dream [8:00] (Les Bloom) I wrote this tune and arranged the horn section. It's a slow ballad in which I play the melody on the alto sax with horn section harmony followed by an up-tempo double-time middle section featuring a blazing trumpet solo by Max Morden.
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Live: WEMU Jazz Competition |
The following tune was recorded on August 26, 1983 at a live performance at the WEMU Jazz Competition, an annual event which used to occur quite regularly for a number of years, sponsored by the WEMU jazz radio station. The band had won the competition in 1982 and was first runner-up the year this was recorded. The recording was taken off the live WEMU radio broadcast mix which was, at times, of varying audio quality due to the pressures of real-time, in-the-moment audio mixing, but still well worth listening to. The personnel are the same as listed above. 6. Sunny Side Up [5:13] (Andy Adamson) a real crowd-pleaser written and arranged by Andy Adamson.
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Live at the "Blind Pig" |
These 3 tunes were recorded during a live performance at the "Blind Pig" in Ann Arbor, MI sometime (date unknown) in 1983. There is a little bit of a "bootleg" quality to the recordings because I recorded them with a portable cassette recorder that I set up on the corner of the stage. The musicality, however, comes through loud and clear (although I wish the piano came through a little louder). The personnel are the same as above with the exception that the piano player is Pat Stevanovich instead of Andy Adamson. 7. Apostacy [10:07] (John Hetherington) a beautiful Latin-style tune with John Hetherington playing the melody on trombone, backed by horn section harmony followed by up-tempo, double-time feel solos by all the horns and piano. Written and arranged by John Hetherington, 8. Footprints [9:16] (Wayne Shorter) this is the band's take on this post-bop jazz standard by tenor saxophonist Wayne Shorter, popularized by the Miles Davis Quintet. Solos by all the horns and piano. 9. Au Privave [7:22] (Charlie Parker) a lightning-fast jazz bebop standard written by alto saxophonist Charlie Parker. After solos by all the horns and piano, the horn players, in turn, trade four bar sections with the always hard-driving Karl Dieterich on drums. |
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Back to Top |
"Bustin' a Gut" with iPhone "backup band":
Les Bloom - 2012"There Will Never Be Another You" |
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Impromptu home recording during a surprise visit by an old friend whom I hadn't seen in over 30 years. The "back-up band" is my iPhone running the iRealB app playing through my stereo system. I didn't realize I was being recorded until midway through the tune. Recorded on July 22, 2012 Videographer: Bryan Schuett |
Jon Smuk's interpretation of "Real Time Clock":
Jon Smuk - 2011Real Time Clock
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Real Time Clock (Bloom, arr. Smuk)
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This is a welcome departure for this website. Here is a tune that I wrote, but am not playing on. Jon Smuk, normally recognized as a very fine Detroit area bass player, in this instance plays all instruments: bass, drums, keyboard, guitar. Arranged and digitally recorded by Jon on March 4, 2011 using ProTools. Here are links to other versions of this tune on this site:
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Some COOL POSTERS from a couple past gigs:
Click on any thumbnail below to ENLARGE. |
LES BLOOM - 2007"Collage ΰ Trois" |
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Helen O'Loy
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LAUGHING OUT LOUD - 2005"Rolling on the Floor" |
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Hello and Welcome
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1. Hello and WelcomeComposition and arrangement: Mike Adams Drums: Mike Adams Keyboards: Jim Merte Tenor Saxophone: Les Bloom Bass: Hal Davis Electric Guitar: Jeff Maxwell A greeting written for LOLs 2004 summer concert audiences 2. FootprintsComposition: Wayne Shorter Arrangement: Terence Blanchard Drums: Mike Adams Keyboards: Jim Merte Alto Saxophone: Les Bloom Bass: Hal Davis Electric Guitar: Jeff Maxwell New rhythms from Terence Blanchard for the Wayne Shorter standard 3. Night WalkComposition and arrangement: Mike Adams Drums: Mike Adams Keyboards: Jim Merte Tenor Saxophone: Les Bloom Bass: Hal Davis Electric Guitar: Jeff Maxwell A brooding latin number from our prolific drummer 4. Hookah SpookahComposition and arrangement: Jim Merte Drums: Mike Adams Keyboards: Jim Merte Soprano Saxophone: Les Bloom Bass: Hal Davis Rhythm Guitar: Jeff Maxwell Lead Guitar: Hal Davis Inspired by the crowd at Oz, one of our favorite gigs in 2004 5. Sea JourneyComposition: Chick Corea Arrangement: Hal Davis Drums: Mike Adams Keyboards: Jim Merte Soprano Saxophone: Les Bloom Bass: Jeff Maxwell Classical Guitar: Hal Davis An obscure Chick Corea tune, also know as Song for Sally adapted to classical guitar 6. EquinoxComposition: John Coltrane Arrangement: LOL Drums: Mike Adams Keyboards: Jim Merte Tenor Saxophone: Les Bloom Bass: Hal Davis Electric Guitar: Jeff Maxwell A reggae version of the John Coltrane classic |
LOOSE SHOES and the SHOE HORNS - 2001Live at "Top of the Park" |
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Wine, Wine,
Wine!
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Loose Shoes and the Shoe Horns recorded live on June 20, 2001 at an Ann Arbor Summer Festival "Top of the Park" concert. Note: You can either listen to "Diggin' on James Brown" and/or "Hey Baby" or, if you can stand looking at such a handsome bunch of guys, you can watch the live videos. Video 1: "Diggin' on James Brown"
Video 2: "Hey Baby"
Personnel: Keith Bauserman - trombone, trumpet and vocals Les Bloom tenor and alto saxophones Hal Davis guitars and vocals Jeff Ewald keyboards, trumpet and vocals Larry Largin bass and vocals Dennis Odine - drums and vocals
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TIME FRAME - 1999Live in Redford, Michigan |
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Time Frame concert video of "Divided We Stand" (composed by Andy Adamson) recorded live on July 27, 1999 at Capital Park in Redford, Michigan. Personnel: Mike Adams - drums Andy Adamson - keyboards Bob Bedard - percussion Les Bloom saxophone Gordy Shelest guitar Jon Smuk - bass
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LAUGHING OUT LOUD - 1995"Laughing Out Loud" |
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Unnamed Sources
(Bloom) Nothin' To It (Davis) Interstate Five (Adams) Main Man (Adams) The Darker Side of Lonely (Adams) Small Steps (Adams) Real Time Clock (Bloom) Laughing Out Loud (Davis)
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Laughing Out Loud recorded in 1995 at Big Sky Recording and Solid Sound, Ann Arbor, MI. Geoff Michael and Rob Martens - recording engineers. "Main Man" and The Darker Side of Lonely recorded in 1995 at Omnimedia Group studios, Ann Arbor, MI, Howard White recording engineer. Personnel: Mike Adams drums Les Bloom tenor, alto and soprano saxophones Hal Davis guitars Jim Merte piano Ron Patterson bass
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CONTINUUM - 1992"Working on a Love Letter""Freeway of Love" |
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Continuum recorded in 1992 at Rockman Studios, Detroit, MI. Produced/directed by Ronnie Rockman. Jim Hannon - audio engineer. Personnel: Mike Ager keyboards Les Bloom tenor and alto saxophones Ralph McKee bass Pat Sorise drums Carolyn Witte vocals
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FREEFALL - 1990 |
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Freefall recorded in July, 1990. Video 1 (medley): "My Funny Valentine" "Since I Fell For You" "Feel Like Making Love"
Video 2: "Rock Steady"
Personnel: Les Bloom saxophone Hal Davis - guitar Jeff Ewald - keyboards Larry Largin bass Dennis Odine drums Rin Schmidt vocals
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TANTRA - 1981Live recording session |
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Apologies, No Remorse
(Bigelow) Dr. Mobius (Bigelow) Real Time Clock (Bloom) |
1. Apologies, No Remorse [6:10] (Wendell Bigelow) bass solo by Hugh Hitchcock. 2. Dr. Mobius [6:06] (Wendell Bigelow) - solos by Les Bloom (tenor sax), Andy Adamson (keyboards) and Hugh Hitchcock (bass). 2. Real Time Clock [4:14] (Les Bloom) Tantra July 6, 1981, recorded at Les Blooms house. Big Ed Larned recording engineer Personnel: Andy Adamson keyboards; Steve Armil guitars; Wendell Bigelow drums; Les Bloom tenor and soprano saxophones; Dave Cavender trumpet; Hugh Hitchcock Bass; Dave Koether percussion |
LES BLOOM QUINTET - 1981Live at the 1981 Ann Arbor Art Fair |
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Fair Weather/Fallen Angels (Bloom) |
Les Bloom Quintet recorded in 1981 at the Ann Arbor Art Fair from a live radio broadcast on WCBN radio. Joe Tiboni radio host. Personnel: Marc Anderson - guitar Wendell Bigelow - Drums Les Bloom tenor and soprano saxophones Dave Cavender - trumpet and harmonica Bruce Dondero bass |
INCOGNITO - 1979Live at Mr. Flood's Party - Ann Arbor, MI |
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Secrets
(Jacobi) Uncle Pete (Jacobi) Nazca Plains (Jacobi) Encounter (Bloom)
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Incognito "Secrets", "Uncle Pete" and "Nazca Plains" recorded in 1979 at a live performance at "Mr. Flood's Party" in Ann Arbor, MI. Joe Tiboni recording engineer. "Encounter" recorded by Randy Tessier at his house. Personnel: Les Bloom alto, tenor and soprano saxophones Rick Jacobi guitar and clarinet Bob Sweet drums Randy Tessier bass |
INCOGNITO - 1978At the 1978 Ann Arbor Art Fair and with Perry Robinson |
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3rd Stone from the Sun / Flight to Spain (at 1978 A2 Art Fair) (Jimi Hendrix/Bigelow) (at 1978 A2 Art Fair) (Jacobi) (with Perry Robinson) (Jacobi) (with Perry Robinson) (Jacobi) (with Perry Robinson) (Bigelow)
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Incognito "3rd Stone from the Sun/Flight to Spain" and "Daydreams" were recorded live by WCBN radio at the 1978 Ann Arbor Art Fair. "Nazca Plains", "Secrets" and "Flight to Spain" were recorded by the band at a jam session with internationally renowned avant garde jazz clarinetist, Perry Robinson. Personnel: Wendell Bigelow - Drums Les Bloom alto, tenor and soprano saxophones Rick Jacobi guitar and clarinet Randy Tessier bass with Perry Robinson - clarinet
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CANON - 1972Live at the Roundup - Erlanger, KY |
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Superhighway Down by the River (shortened version)
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Canon recorded in 1972 at a live performance at "The Roundup" in Erlanger, KY. Personnel:
Les Bloom - alto saxophone, flute (on "Down by the River")
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THE SAME AS LAST WEEK - 1969Live at a CWRU Fraternity Party - Cleveland, OH"The Same As Last Week" Anagrams (Courtesy of Jeff Bloom - 2011):
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The Same As Last Week After returning from a 1969 summer "Woodstock era" road tour in Akron, Indiana and Chicago this set was recorded in at a live performance at a Case Western Reserve University outdoor party. It was released as an album in 2023: "Live in Cleveland - 1969" and is available at all streaming sites and stores. Personnel: Eric Blecher - bass Jeff Bloom - guitar, backup vocals Les Bloom - alto saxophone, flute John Bogo - drums Lee Branst - lead vocals Dave Featheringham - lead vocals Bill Jaros - Hammond B3 organ
Mike Kaplan - vibraphone
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CASE CONCERT JAZZ ENSEMBLE - 1969Live at the 1969 Notre Dame Collegiate Jazz Festival |
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3 Points of McKeller (Gerry Wondrack) |
Case Concert Jazz Ensemble (Case Western Reserve University, Cleveland, Ohio) recorded in 1969 at the annual Notre Dame Collegiate Jazz Festival in South Bend, Indiana. This performance won the band the first runner-up position among all collegiate jazz bands in the country that year. I played baritone sax in this group. The Best Saxophone Soloist at the festival was won by Charles Barone who played alto sax in this group. The band was managed and directed by internationally renowned trombonist and former Stan Kenton music director, Bob Curnow. Music Director: Festival Judges: Thad Jones Gary McFarland Dan Morgenstern Sonny Stitt Clark Terry Ernie Wilkins
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